![]() ![]() She immerses you in their world, not just the monuments and the battles but the textures, sounds and smells of daily life. Occasionally when I’ve had a doubt (were there really glass windows in Roman Britain?) I’ve found that the detail is correct (yes, but only for the wealthy). ![]() The relationship between Ruso and Tilla, with its affection and moments of mutual exasperation, is beautifully observed.ĭownie often adds a historical note, saying what is real and what she has changed. Her observations on the differences between Roman culture and her own undercut the assumption that the Romans are more civilised. These play a key part in Terra Incognita. She is both naïve and shrewd, impulsive and strategic, driven by what she believes is right, but also, at times, lacking in confidence as an outsider who doesn’t understand the mores of her new life.Īmong the Britons she has both strong ties and enemies who have caused her great loss. Tilla is particularly fascinating, caught as she is between two worlds. A number of secondary characters, from soldiers to medics and even an emperor, add to the drama, many of them appearing in multiple books. He feels hard done by, with responsibilities for his large and feckless family at home in Gaul, left in debt following his father’s death. There’s a lot of humour in the books, much of it character driven. Together, these build up a picture of the diversity and complexity of the Roman world, and in particular its occupation of Britannia. These are mostly in Britannia but in Persona Non Grata they visit Ruso’s family in Gaul, and in Vita Brevis they go to Rome. Despite the risks to Ruso’s career, their precarious financial situation, and even their lives, they are unable to back down, driven by principle, personal ties or just plain cussedness.Įach book takes place in a different location. The plots are deliciously twisty and invariably involve Ruso and Tilla taking on people who are dangerous, or politically connected, or both. Together, they find themselves stumbling across crimes, which they investigate and solve. He takes her in as a servant but over time their relationship deepens. Tilla is a Briton who he rescues from slavery in the first novel, Medicus. Gaius Petreius Ruso is a Roman army doctor, initially stationed in Deva (modern-day Chester). It’s a very different sort of book from the Medicus series and clearly not a mystery, but I’ve been fascinated to see how the story’s come alive as my colleagues have pitched in with their own imaginative take on events.Ruth Downie’s crime series set in Roman Britain is my current favourite comfort read. Although several of the characters appear all the way through, each of us handles the story from a different viewpoint and we all have very different styles, so for example while I’m seeing events through the eyes of a slave girl in Boudica’s household, the tales involving battles are written by people who are far more skilled at that sort of thing than I am (two of them are re-enactors who’ve actually worn the kit, done the marching and handled the weaponry). It’s somewhere between 140,000 and 160,000 words long – I forget exactly, sorry – and about 20,000 of them are mine. ![]() Hi Kathryn! “A Year of Ravens” is a collection of supposedly stand-alone tales by 7 authors that actually fit together to tell the story of the Boudican rebellion. ![]()
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